BALANCED GUITAR
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        • Classes 1 and 2 members only
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        • A4G Class 1 - Improvising over ii7
        • A4G class 2: improvising over V7
        • A4G class 3: improvising over IM7 and ii V I
        • A4G Class 4: the vi and iii chords
        • A4G Class 5: inversions of Dm7
        • A4G class 6: inversions of V7
        • A4G class 7: Inversions of Cmaj7 and C6
        • A4G class 8: arranging happy birthday
        • A4G Class 9: the dorian scale within the ii7
        • A4G Class 10: The Mixolydian scale inside the V7 arpeggio
        • A4G Class 12: approach tones
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Brazilian Guitar Classes
Brazilian guitar studies combines the discipline of classical guitar technique with the freedom of jazz improvisation, in the sensuous melodies, exciting rhythms, and lush harmonies of the Brazilian repertoire.

The group dynamic offers possibilities of performance, support and sharing that are lacking in private lessons. Students focus on rhythms, accompaniment patterns, melodies, and improvisation, in a setting that challenges them to grow and provides the support to do so. Every semester ends with a group performance and reception open to the public. Classes will have a maximum of 10 students and will be divided into 3 basic levels:

Level 1: Beginning guitar

Students who have little or no experience playing the guitar are introduced to the basic chords, barre chords, Brazilian drumming patterns, classical guitar technique, reading notes, bossa nova accompaniment patterns and beginning songs such as Manhã de carnaval, Só danço samba, and music of the students' own choosing.

Level 2: Intermediate guitar

Students who have mastered the basic chords and are familiar with barre chords are introduced to primary jazz chords, along with samba, bossa, and marcha patterns. Scales and arpeggios for improvisation and reading notes are covered and practiced in the dynamic ways permitted by group classes, and students choose their own repertoire from the Brazilian songbook.

Level 3: Advanced Guitar

Students who have mastered the primary jazz chords learn more advanced chords, inversions and developing beginning choro bass lines. Accompaniment patterns for choro, baião, maxixe, tango brasileiro are learned and performed. Two octave jazz arpeggios for improvisation with a focus on right hand fingerstyle technique; melodic phrasing; advanced techniques.; choro and baião melodies.

  • Balanced Guitar Immersion
    • Registration >
      • Retreat Registration Form
      • What to do right now
      • Transportation
    • Donate
    • Fundraising Suggestions
    • Instructors
    • Commuter and Daily Rates
    • Accommodations >
      • Costa Rica Accomodations
    • Retreat Testimonials
    • BG retreat Jan 2023
    • FAQs >
      • FAQs SAN DIEGO
      • FAQ COSTA RICA
    • Contact
    • Balance & Performance
    • Benefits of the Program
  • Music
    • Studio Policies
    • Guitar >
      • Online Guitar Studio Testimonials
      • The Brazilian Guitar >
        • Brazilian Guitar member's only
      • BossaNovaGuitar >
        • BNG Class 1
        • BNG Class 2
        • BNG class 3
        • BNG class 4
        • BNG class 5
        • BNG class 6
        • BNG class 7
        • BNG class 8
        • BNG class 9
        • BNG Class 10
        • BNG Class 11
        • BNG Class 12
      • Bossa Nova & Beyond >
        • BNB Class 1
        • BNB Class 2
        • BNB Class 3
        • BNB Class 4
        • BNB Class 5
      • Fingerstyle Improvisation and Arranging for Guitarists
      • Beginning Guitar 1 >
        • BG 1 Class 1
        • BG 1 Class 2
        • BG 1 Class 3
        • BG 1 Class 4
        • BG 1 Class 5
        • BG 1 Class 6
        • BG 1 Class 7
        • BG 1 Class 8
        • Beginning Guitar MiraCosta College
        • Beginning Guitar member's only
      • Beginning Guitar 2 >
        • BG 2 Class 1
        • BG 2 Class 2
        • BG 2 Class 3
        • BG 2 Class 4
        • BG 2 Class 5
        • BG 2 Class 6
        • BG 2 Class 7
        • BG 2 Class 8
      • Intermediate Guitar
      • Private lessons
    • Library >
      • Beginning Guitar Library
      • Arrangements Library
      • Transcription Library
    • Ear Training >
      • The Balanced Ear >
        • B Ear Class 1
        • B Ear Class 2
      • The Global Ear
    • Voice >
      • Brazilian Portuguese4Singers >
        • BP4S Testimonials
    • Theory/Arranging >
      • Theory on Frets >
        • Classes 1 and 2 members only
        • Classes 3 -12 members only
      • Arranging4guitar >
        • A4G Class 1 - Improvising over ii7
        • A4G class 2: improvising over V7
        • A4G class 3: improvising over IM7 and ii V I
        • A4G Class 4: the vi and iii chords
        • A4G Class 5: inversions of Dm7
        • A4G class 6: inversions of V7
        • A4G class 7: Inversions of Cmaj7 and C6
        • A4G class 8: arranging happy birthday
        • A4G Class 9: the dorian scale within the ii7
        • A4G Class 10: The Mixolydian scale inside the V7 arpeggio
        • A4G Class 12: approach tones
      • Harmony >
        • Harmony Class 1
        • Harmony Class 2
        • Harmony Class 3
        • Harmony Class 4
        • Harmony Class 5
        • Harmony Class 6
        • Harmony class 7
        • Harmony Class 8
        • Harmony Class 9
      • Arranging Masterclass with Maestro Sion >
        • AM 1 Class 1
        • AM IV Class 1
    • Music of the African Diaspora >
      • MAD Class 1
  • Surfing
    • Instructional videos
    • Surf Lessons in San Diego
  • Yoga & Tai Chi
  • About
    • Calendar
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    • Richard's Blog >
      • Health and Well Being
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    • Special Events
    • Richard Miller, Guitar
    • Vanessa and Richard EPK
    • Advanced Guitar