Balanced Guitar Retreat Jan 2023
Private page - please do not share materials
Creating Habits
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Magalenha
| the_basic_chords_in_first_position.pdf |
A rã
| a-ra.pdf |
Freddie demonstrates chord/melody solo for A rã
Samurai
| djavan-samurai.pdf |
Só Danço Samba
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melodic/rhythmic variations
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Classic Joao Gilberto with the Bossa groove and Bossa tambroim variations.
Note the samba groove and displacement of melodic rhythm
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Samba Groove
Reverse of the Bossa tamborim, root of the partido alto groove
Assanhado
Partido Alto Groove
| partido_alto_levada_-_score.pdf |
| assanhado_from_songbook.pdf |
Final Concert
Group
A rã
Samurai
Solos
Malcolm
Freddie & Heather
Alan
Giselle
Group
Só danço samba
Solos
Dirty Mae
Cassie original
Gabe
Gabe and Shelly
Gabe and Danny
Richard
Meredith & Danny
Group
Assanhado
Magalenha
A rã
Samurai
Solos
Malcolm
Freddie & Heather
Alan
Giselle
Group
Só danço samba
Solos
Dirty Mae
Cassie original
Gabe
Gabe and Shelly
Gabe and Danny
Richard
Meredith & Danny
Group
Assanhado
Magalenha
The Chromatic Scale in first position
play while naming the notes. Remember:
1. String names: Eddie Ate Dynamite Good Bye Eddie
2. No sharps or flats between E-F and B-C
3. First position means 1st finger plays on 1st fret, 2nd on 2nd, 3rd on 3rd, and 4th on 4th
4. Use sharps going up the scale, flats coming down the scale
1. String names: Eddie Ate Dynamite Good Bye Eddie
2. No sharps or flats between E-F and B-C
3. First position means 1st finger plays on 1st fret, 2nd on 2nd, 3rd on 3rd, and 4th on 4th
4. Use sharps going up the scale, flats coming down the scale
Analysis of Só Danço Samba
Step 1: review the diatonic chords in the key
Step 2: If the chord is diatonic, add Roman numerals underneath it; if not, then determine whether it is a secondary function or a borrowed chord
Secondary dominants: Any diatonic chord can be preceded by its own dominant (called a secondary dominant); any secondary dominant can be preceded by the ii chord of the "target" diatonic chord
Step 2: If the chord is diatonic, add Roman numerals underneath it; if not, then determine whether it is a secondary function or a borrowed chord
Secondary dominants: Any diatonic chord can be preceded by its own dominant (called a secondary dominant); any secondary dominant can be preceded by the ii chord of the "target" diatonic chord
Diatonic chords and functions
Primary and secondary dominants
| so_danco_samba_harmonic_analysis_-_score.pdf |