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Balanced Guitar Retreat Jan 2023
Private page - please do not share materials

Creating Habits

Magalenha

the_basic_chords_in_first_position.pdf
File Size: 587 kb
File Type: pdf
Download File

Picture

A rã

a-ra.pdf
File Size: 85 kb
File Type: pdf
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Picture
Picture
Picture
Freddie demonstrates chord/melody solo for A rã

Samurai

djavan-samurai.pdf
File Size: 104 kb
File Type: pdf
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Picture
Picture

Só Danço Samba

sĂ³_danço_sambac.pdf
File Size: 60 kb
File Type: pdf
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so_danco_samba.jpg.pdf
File Size: 893 kb
File Type: pdf
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so_danco_samba_-_score.pdf
File Size: 25 kb
File Type: pdf
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melodic/rhythmic variations

Classic Joao Gilberto with the Bossa groove and Bossa tambroim variations.







Note the samba groove and displacement of melodic rhythm
Picture

Samba Groove

Reverse of the Bossa tamborim, root of the partido alto groove
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Assanhado

Partido Alto Groove
partido_alto_levada_-_score.pdf
File Size: 57 kb
File Type: pdf
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Picture
Picture
assanhado_from_songbook.pdf
File Size: 4306 kb
File Type: pdf
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Picture

Final Concert

Group 
A rã
Samurai

Solos
Malcolm
Freddie & Heather
​Alan

​Giselle

Group
Só danço samba

Solos
Dirty Mae
Cassie original
Gabe
Gabe and Shelly
Gabe and Danny
Richard
Meredith & Danny


Group
Assanhado
Magalenha

The Chromatic Scale in first position

play while naming the notes. Remember:
1. String names: Eddie Ate Dynamite Good Bye Eddie
2. No sharps or flats between E-F and B-C
3. First position means 1st finger plays on 1st fret, 2nd on 2nd, 3rd on 3rd, and 4th on 4th
​4. Use sharps going up the scale, flats coming down the scale

Picture

Analysis of Só Danço Samba

Step 1: review the diatonic chords in the key
Step 2: If the chord is diatonic, add Roman numerals underneath it; if not, then determine whether it is a secondary function or a borrowed chord

Secondary dominants: Any diatonic chord can be preceded by its own dominant (called a secondary dominant); any secondary dominant can be preceded by the ii chord of the "target" diatonic chord

Diatonic chords and functions

Picture

Primary and secondary dominants

Picture
so_danco_samba_harmonic_analysis_-_score.pdf
File Size: 36 kb
File Type: pdf
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  • Balanced Guitar Immersion
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          • IG Class 1 - arpeggios of ii7
          • IG Class 2: Arpeggios of V7
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          • IG Class 4: Arpeggios of the vi chord
          • IG Class 5 the dorian scale within the ii7
          • IG Class 6: Dominant scales
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          • Class 9 - the diminished scale
          • Class 10 - chord pairs
      • Private lessons
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        • A4G Class 4: the vi and iii chords
        • A4G class 6: inversions of V7
        • A4G class 7: Inversions of Cmaj7 and C6
        • A4G class 8: arranging happy birthday
        • A4G Class 9: the dorian scale within the ii7
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        • A4G Class 10: The Mixolydian scale inside the V7 arpeggio
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