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A4G Class 1 - Improvising over ii7
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Balanced Guitar Immersion
Registration
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What to do right now
Transportation
Donate
Fundraising Suggestions
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Commuter and Daily Rates
Accommodations
>
Costa Rica Accomodations
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BG retreat 2023-24
FAQs
>
FAQs SAN DIEGO
FAQ COSTA RICA
Contact
Balance & Performance
Benefits of the Program
Music
Studio Policies
Workshops
>
Brazilian Groove Workshop
Guitar
>
MHS Strummer's Club
>
MHS Lesson 1
MHS Lesson 2
MHS Lesson 3
MHS lesson 4: RH exercise
The Brazilian Guitar
>
Brazilian Guitar member's only
Online Guitar Studio Testimonials
BossaNovaGuitar
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BNG Class 1
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Bossa Nova & Beyond
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Beginning Guitar 1
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BG 1 Class 1
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Beginning Guitar MiraCosta College
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Beginning Guitar 2
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BG 2 Class 1
BG 2 Class 2: Blues
BG 2 Class 3: BLues scale
BG 2 Class 4: open strings
BG 2 Class 5: note reading
BG 2 Class 6
Class 7: Travis Picking
BG 2 Class 7: barre chords
BG 2 Class 8
Intermediate Guitar
>
Int 1 Class 1
Int 1 class 2: pentatonics
Int 1 Class 3: Note reading review
Int 1 Class 4
Int 1 Class 5
Int 1 Class 6: Jazz Chords
Intermediate Guitar 2
>
Int 2 Class 1
Int 2 Class 2
Int 2 class 3
Classical Guitar
Beatles Mini Course
>
Beatles Class 1
Beatles Class 2
Beatles Class 3
Int/Adv seminar
>
Int/Adv Class 1
Int/Adv Class 2
Int/Adv Class 3
Int/Adv Class 4
Int/Adv Class 5
Int/Adv Class 6
Iint/Adv seminar class 7 - arpeggios of ii7
Multilevel guitar Class 1
>
Int 1 Class 3
Intermediate Performance class
>
Class 1 - exerecise routine
Class 2: performance repertoire
Class 3: Travis Picking
Class 4: preparing songs
Class 5
performance class - lyrics
Intermediate Performance class summer 2024 final
Advanced Guitar
>
Arranging for Guitarists
>
A4G Class 1: inversions of F6 and Dm7
A4G class 3: Inversions of Cmaj7 and C6
Improvisation on the Guitar
>
IG Class 1 - arpeggios of ii7
IG Class 2: Arpeggios of V7
IG Class 3: Arpeggios of IM7 and ii V I
IG Class 4: Arpeggios of the vi chord
IG Class 5 the dorian scale within the ii7
IG Class 6: Dominant scales
IG Class 7: the bebop major scale
IG Class 8: Position playing
Class 9 - the diminished scale
Class 10 - chord pairs
Private lessons
Theory/Arranging
>
Theory on Frets
>
Classes 1 and 2 members only
Classes 3 -12 members only
Arranging4guitar
>
A4G Class 1 - Improvising over ii7
A4G class 2: improvising over V7
A4G class 3: improvising over IM7 and ii V I
A4G Class 4: the vi and iii chords
A4G class 6: inversions of V7
A4G class 7: Inversions of Cmaj7 and C6
A4G class 8: arranging happy birthday
A4G Class 9: the dorian scale within the ii7
A4G Class 12: approach tones
A4G Class 13: minor
A4G Class 10: The Mixolydian scale inside the V7 arpeggio
Harmony
>
Harmony Class 1
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Arranging Masterclass with Maestro Sion
>
AM 1 Class 1
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AM IV Class 1
Ukelele
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Ukelele Class 1
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Library
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Guitar Library
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Ear Training
>
The Balanced Ear
>
B Ear Class 1
B Ear Class 2
B Ear Class 3
B Ear Class 4
The Global Ear
Voice
>
Brazilian Portuguese4Singers
>
BP4S Testimonials
Music of the African Diaspora
>
MAD Class 1: African Rhythmic processes
>
MAD Class 1 Teacher Guide
MAD Class 2
>
MAD Class 2 - Teacher's Guide
MAD Class 3: The Music of Cuba
MAD Class 4:
MAD Class 5: Puerto Rico
MAD Class 6: Caribbean
MAD Class 7: Brazil
Surfing
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About
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Contact
Retreat Testimonials
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>
Bossa & Beyond Lecture
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Richard Miller, Guitar
Vanessa and Richard EPK
Tribute to Astrud Gilberto