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- IG Class 1 - arpeggios of ii7
- IG Class 2: Arpeggios of V7
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- A4G Class 1 - Improvising over ii7
- A4G class 2: improvising over V7
- A4G class 3: improvising over IM7 and ii V I
- A4G Class 4: the vi and iii chords
- A4G class 6: inversions of V7
- A4G class 7: Inversions of Cmaj7 and C6
- A4G class 8: arranging happy birthday
- A4G Class 9: the dorian scale within the ii7
- A4G Class 12: approach tones
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- A4G Class 10: The Mixolydian scale inside the V7 arpeggio
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- Balanced Guitar Immersion
-
Music
- Studio Policies
- Workshops >
-
Guitar
>
- Foundations of Fingerpicking
- MHS Strummer's Club >
- The Brazilian Guitar >
- Online Guitar Studio Testimonials
- BossaNovaGuitar >
- Bossa Nova & Beyond >
- Beginning Guitar 1 >
- Beginning Guitar 2 >
- Intermediate Guitar >
- Intermediate Guitar 2 >
- Classical Guitar
- Beatles Mini Course >
- Int/Adv seminar >
- Multilevel guitar Class 1 >
- Intermediate Performance class >
-
Advanced Guitar
>
- Arranging for Guitarists >
-
Improvisation on the Guitar
>
- IG Class 1 - arpeggios of ii7
- IG Class 2: Arpeggios of V7
- IG Class 3: Arpeggios of IM7 and ii V I
- IG Class 4: Arpeggios of the vi chord
- IG Class 5 the dorian scale within the ii7
- IG Class 6: Dominant scales
- IG Class 7: the bebop major scale
- IG Class 8: Position playing
- Class 9 - the diminished scale
- Class 10 - chord pairs
- Private lessons
-
Theory/Arranging
>
- Theory on Frets >
-
Arranging4guitar
>
- A4G Class 1 - Improvising over ii7
- A4G class 2: improvising over V7
- A4G class 3: improvising over IM7 and ii V I
- A4G Class 4: the vi and iii chords
- A4G class 6: inversions of V7
- A4G class 7: Inversions of Cmaj7 and C6
- A4G class 8: arranging happy birthday
- A4G Class 9: the dorian scale within the ii7
- A4G Class 12: approach tones
- A4G Class 13: minor
- A4G Class 10: The Mixolydian scale inside the V7 arpeggio
- Harmony >
- Arranging Masterclass with Maestro Sion >
- Ukelele >
- Library >
- Ear Training >
- Voice >
- Music of the African Diaspora >
- Surfing
- Yoga & Tai Chi
- About