BALANCED GUITAR
  • Balanced Guitar Immersion
    • Group Classes in Encinitas
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  • Music
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    • Workshops >
      • Brazilian Groove Workshop
    • Guitar >
      • Foundations of Fingerpicking
      • MHS Strummer's Club >
        • MHS Lesson 1
        • MHS Lesson 2
        • MHS Lesson 3
        • MHS lesson 4: RH exercise
      • The Brazilian Guitar >
        • Brazilian Guitar member's only
      • Online Guitar Studio Testimonials
      • BossaNovaGuitar >
        • BNG Class 1
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        • BNG class 3
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        • BNG class 5
        • BNG class 6
        • BNG class 7
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        • BNG class 9
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        • BNG Class 11
        • BNG Class 12
      • Bossa Nova & Beyond >
        • BNB Class 1
        • BNB Class 2
        • BNB Class 3
        • BNB Class 4
        • BNB Class 5
        • BNB Class 6
        • BNB Class 7
        • BNB Class 8
        • BNB Class 9
        • BNB Class 10
        • BNB Class 11
        • BNB Class 12
      • Beginning Guitar 1 >
        • BG 1 Class 1
        • BG 1 Class 2: LH exercise
        • BG 1 Class 3
        • BG 1 Class 4
        • BG 1 Class 5: RH exercise
        • BG 1 Class 6 - alternate tunings
        • BG 1 Class 7
        • BG 1 Class 8
        • Beginning Guitar MiraCosta College
        • Beginning Guitar member's only
      • Beginning Guitar 2 >
        • BG 2 Class 1
        • BG 2 Class 2: Blues
        • BG 2 Class 3: BLues scale
        • BG 2 Class 4: open strings
        • BG 2 Class 5: note reading
        • BG 2 Class 6
        • BG 2 Class 7: Travis Picking
        • BG 2 Class 7: barre chords
        • BG 2 Class 8
      • Intermediate Guitar >
        • Int 1 Class 1
        • Int 1 class 2: pentatonics
        • Int 1 Class 3: Note reading review
        • Int 1 Class 4
        • Int 1 Class 5
        • Int 1 Class 6: Jazz Chords
      • Intermediate Guitar 2 >
        • Int 2 Class 1
        • Int 2 Class 2
        • Int 2 class 3
      • Classical Guitar
      • Beatles Mini Course >
        • Beatles Class 1
        • Beatles Class 2
        • Beatles Class 3
      • Int/Adv seminar >
        • Int/Adv Class 1
        • Int/Adv Class 2
        • Int/Adv Class 3
        • Int/Adv Class 4
        • Int/Adv Class 5
        • Int/Adv Class 6
        • Iint/Adv seminar class 7 - arpeggios of ii7
      • Multilevel guitar Class 1 >
        • Int 1 Class 3
      • Intermediate Performance class >
        • Class 1 - exerecise routine
        • Class 2: performance repertoire
        • Class 3: Travis Picking
        • Class 4: preparing songs
        • Class 5
        • performance class - lyrics
        • Intermediate Performance class summer 2024 final
        • Int Performance concert 4/1/25
        • Performance Class Dec 2025 concert
      • Advanced Guitar >
        • Jazz Guitar >
          • JG Class 1: Jazz Chords
          • jG Class 2- arpeggios of ii7
          • JG class3: ii v I
          • JG Class 4- approaches to chord tones; swinging
          • JG class 5: pentatonic scales
          • JG Class 6: Position playing
          • JG Class 7; chord extensions
          • JG Class 8: scales
          • JG class 9: scales in Autumn Leaves
          • JG Class 10: pivots
        • Jazz Guitar 2 >
          • JG2 Class 1: Scales of Chords
          • JG2 Class 2: Scales in Blues
        • Arranging for Guitarists >
          • A4G Class 1: inversions of F6 and Dm7
          • A4G class 3: Inversions of Cmaj7 and C6
        • Improvisation on the Guitar >
          • IG Class 1 - arpeggios of ii7
          • IG Class 2: Arpeggios of V7
          • IG Class 3: Arpeggios of IM7 and ii V I
          • IG Class 4: Arpeggios of the vi chord
          • IG Class 5 the dorian scale within the ii7
          • IG Class 6: Dominant scales
          • IG Class 7: the bebop major scale
          • IG Class 8: Position playing
          • Class 9 - the diminished scale
          • Class 10 - chord pairs
      • Private lessons
    • Theory/Arranging >
      • Theory on Frets >
        • Classes 1 and 2 members only
        • Classes 3 -12 members only
      • Arranging4guitar >
        • A4G Class 1 - Improvising over ii7
        • A4G class 2: improvising over V7
        • A4G class 3: improvising over IM7 and ii V I
        • A4G Class 4: the vi and iii chords
        • A4G class 6: inversions of V7
        • A4G class 7: Inversions of Cmaj7 and C6
        • A4G class 8: arranging happy birthday
        • A4G Class 9: the dorian scale within the ii7
        • A4G Class 12: approach tones
        • A4G Class 13: minor
        • A4G Class 10: The Mixolydian scale inside the V7 arpeggio
      • Harmony >
        • Harmony Class 1
        • Harmony Class 2
        • Harmony Class 3
        • Harmony Class 4
        • Harmony Class 5
        • Harmony Class 6
        • Harmony class 7
        • Harmony Class 8
        • Harmony Class 9
      • Arranging Masterclass with Maestro Sion >
        • AM 1 Class 1
        • AM 1 Class 2
        • AM 1 Class 3
        • AM 1 Class 4
        • AM 1 Class 5
        • AM 1 Class 6
        • AM 1 Class 7
        • AM 1 Class 8
        • AM 1 Class 9
        • AM IV Class 1
    • Ukelele >
      • Ukelele Class 1
      • Ukelele Class 2
    • Library >
      • Guitar Library
      • Arrangements Library
      • Transcription Library
    • Ear Training >
      • The Balanced Ear >
        • B Ear Class 1
        • B Ear Class 2
        • B Ear Class 3
        • B Ear Class 4
      • The Global Ear
    • Voice >
      • Brazilian Portuguese4Singers >
        • BP4S Testimonials
    • Music of the African Diaspora >
      • MAD Class 1: African Rhythmic processes >
        • MAD Class 1 Teacher Guide
      • MAD Class 2 >
        • MAD Class 2 - Teacher's Guide
      • MAD Class 3: The Music of Cuba
      • MAD Class 4:
      • MAD Class 5: Puerto Rico
      • MAD Class 6: Caribbean
      • MAD Class 7: Brazil
  • Surfing
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  • Yoga & Tai Chi
  • About
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    • Richard's Blog >
      • Bossa & Beyond Lecture
      • Health and Well Being
      • On Practicing
      • Inner Music
    • Special Events >
      • Tribute to Astrud Gilberto
    • Richard Miller, Guitar
    • Vanessa and Richard EPK

FIRST THINGS FIRST

1. Register using the REGISTRATION form

2. Make the $750 non-refundable deposit via PayPal *to avoid 4% fee, please select "Friends & Family"
​

3. Introduce yourself via phone or email:
[email protected] or 646-295-5907. We can't wait to meet you!

4. Make sure your passport is not expired/about to expire!
Need fast turnaround? We have had great luck using and highly recommend this agency: https://travel.state.gov/content/travel/en/passports/have-passport/renew.html

5. Book your plane tickets:
Arrive anytime BEFORE 3PM on JUNE 30 at IXTAPA-ZIHUATANEJO INT'L AIRPORT (ZIH). Depart anytime AFTER 12pm on JULY 6, 2025 from ZIH.
​

IMPORTANT NOTE: If you do not have a return ticket in you will not be allowed to enter Costa Rica.

​We provide all ground transportation to and from the airport.
​
6. Acknowledge yourself for taking on participating in one of the greatest weeks of your life! Woohoo! Congratulations!

Questions? We got answers! Email or call Ben (our retreat manager) with any questions or concerns:
[email protected]
646-295-5907


Reserve Your Spot Now
  • Balanced Guitar Immersion
    • Group Classes in Encinitas
    • Registration >
      • What to do right now
      • Transportation
    • Donate
    • Instructors
    • Commuter and Daily Rates
    • Accommodations >
      • Saladita Accomodations
    • Retreat Testimonials
    • BG retreat 2023-24
    • Contact
    • Balance & Performance
    • Benefits of the Program
  • Music
    • Studio Policies
    • Workshops >
      • Brazilian Groove Workshop
    • Guitar >
      • Foundations of Fingerpicking
      • MHS Strummer's Club >
        • MHS Lesson 1
        • MHS Lesson 2
        • MHS Lesson 3
        • MHS lesson 4: RH exercise
      • The Brazilian Guitar >
        • Brazilian Guitar member's only
      • Online Guitar Studio Testimonials
      • BossaNovaGuitar >
        • BNG Class 1
        • BNG Class 2
        • BNG class 3
        • BNG class 4
        • BNG class 5
        • BNG class 6
        • BNG class 7
        • BNG class 8
        • BNG class 9
        • BNG Class 10
        • BNG Class 11
        • BNG Class 12
      • Bossa Nova & Beyond >
        • BNB Class 1
        • BNB Class 2
        • BNB Class 3
        • BNB Class 4
        • BNB Class 5
        • BNB Class 6
        • BNB Class 7
        • BNB Class 8
        • BNB Class 9
        • BNB Class 10
        • BNB Class 11
        • BNB Class 12
      • Beginning Guitar 1 >
        • BG 1 Class 1
        • BG 1 Class 2: LH exercise
        • BG 1 Class 3
        • BG 1 Class 4
        • BG 1 Class 5: RH exercise
        • BG 1 Class 6 - alternate tunings
        • BG 1 Class 7
        • BG 1 Class 8
        • Beginning Guitar MiraCosta College
        • Beginning Guitar member's only
      • Beginning Guitar 2 >
        • BG 2 Class 1
        • BG 2 Class 2: Blues
        • BG 2 Class 3: BLues scale
        • BG 2 Class 4: open strings
        • BG 2 Class 5: note reading
        • BG 2 Class 6
        • BG 2 Class 7: Travis Picking
        • BG 2 Class 7: barre chords
        • BG 2 Class 8
      • Intermediate Guitar >
        • Int 1 Class 1
        • Int 1 class 2: pentatonics
        • Int 1 Class 3: Note reading review
        • Int 1 Class 4
        • Int 1 Class 5
        • Int 1 Class 6: Jazz Chords
      • Intermediate Guitar 2 >
        • Int 2 Class 1
        • Int 2 Class 2
        • Int 2 class 3
      • Classical Guitar
      • Beatles Mini Course >
        • Beatles Class 1
        • Beatles Class 2
        • Beatles Class 3
      • Int/Adv seminar >
        • Int/Adv Class 1
        • Int/Adv Class 2
        • Int/Adv Class 3
        • Int/Adv Class 4
        • Int/Adv Class 5
        • Int/Adv Class 6
        • Iint/Adv seminar class 7 - arpeggios of ii7
      • Multilevel guitar Class 1 >
        • Int 1 Class 3
      • Intermediate Performance class >
        • Class 1 - exerecise routine
        • Class 2: performance repertoire
        • Class 3: Travis Picking
        • Class 4: preparing songs
        • Class 5
        • performance class - lyrics
        • Intermediate Performance class summer 2024 final
        • Int Performance concert 4/1/25
        • Performance Class Dec 2025 concert
      • Advanced Guitar >
        • Jazz Guitar >
          • JG Class 1: Jazz Chords
          • jG Class 2- arpeggios of ii7
          • JG class3: ii v I
          • JG Class 4- approaches to chord tones; swinging
          • JG class 5: pentatonic scales
          • JG Class 6: Position playing
          • JG Class 7; chord extensions
          • JG Class 8: scales
          • JG class 9: scales in Autumn Leaves
          • JG Class 10: pivots
        • Jazz Guitar 2 >
          • JG2 Class 1: Scales of Chords
          • JG2 Class 2: Scales in Blues
        • Arranging for Guitarists >
          • A4G Class 1: inversions of F6 and Dm7
          • A4G class 3: Inversions of Cmaj7 and C6
        • Improvisation on the Guitar >
          • IG Class 1 - arpeggios of ii7
          • IG Class 2: Arpeggios of V7
          • IG Class 3: Arpeggios of IM7 and ii V I
          • IG Class 4: Arpeggios of the vi chord
          • IG Class 5 the dorian scale within the ii7
          • IG Class 6: Dominant scales
          • IG Class 7: the bebop major scale
          • IG Class 8: Position playing
          • Class 9 - the diminished scale
          • Class 10 - chord pairs
      • Private lessons
    • Theory/Arranging >
      • Theory on Frets >
        • Classes 1 and 2 members only
        • Classes 3 -12 members only
      • Arranging4guitar >
        • A4G Class 1 - Improvising over ii7
        • A4G class 2: improvising over V7
        • A4G class 3: improvising over IM7 and ii V I
        • A4G Class 4: the vi and iii chords
        • A4G class 6: inversions of V7
        • A4G class 7: Inversions of Cmaj7 and C6
        • A4G class 8: arranging happy birthday
        • A4G Class 9: the dorian scale within the ii7
        • A4G Class 12: approach tones
        • A4G Class 13: minor
        • A4G Class 10: The Mixolydian scale inside the V7 arpeggio
      • Harmony >
        • Harmony Class 1
        • Harmony Class 2
        • Harmony Class 3
        • Harmony Class 4
        • Harmony Class 5
        • Harmony Class 6
        • Harmony class 7
        • Harmony Class 8
        • Harmony Class 9
      • Arranging Masterclass with Maestro Sion >
        • AM 1 Class 1
        • AM 1 Class 2
        • AM 1 Class 3
        • AM 1 Class 4
        • AM 1 Class 5
        • AM 1 Class 6
        • AM 1 Class 7
        • AM 1 Class 8
        • AM 1 Class 9
        • AM IV Class 1
    • Ukelele >
      • Ukelele Class 1
      • Ukelele Class 2
    • Library >
      • Guitar Library
      • Arrangements Library
      • Transcription Library
    • Ear Training >
      • The Balanced Ear >
        • B Ear Class 1
        • B Ear Class 2
        • B Ear Class 3
        • B Ear Class 4
      • The Global Ear
    • Voice >
      • Brazilian Portuguese4Singers >
        • BP4S Testimonials
    • Music of the African Diaspora >
      • MAD Class 1: African Rhythmic processes >
        • MAD Class 1 Teacher Guide
      • MAD Class 2 >
        • MAD Class 2 - Teacher's Guide
      • MAD Class 3: The Music of Cuba
      • MAD Class 4:
      • MAD Class 5: Puerto Rico
      • MAD Class 6: Caribbean
      • MAD Class 7: Brazil
  • Surfing
    • Instructional videos
    • Surf Lessons in San Diego
  • Yoga & Tai Chi
  • About
    • Calendar
    • Contact
    • Retreat Testimonials
    • BP4S Testimonials
    • Music Studio Testimonials
    • Richard's Blog >
      • Bossa & Beyond Lecture
      • Health and Well Being
      • On Practicing
      • Inner Music
    • Special Events >
      • Tribute to Astrud Gilberto
    • Richard Miller, Guitar
    • Vanessa and Richard EPK