BALANCED GUITAR
  • Balanced Guitar Immersion
    • Registration >
      • Retreat Registration Form
      • What to do right now
      • Transportation
    • Donate
    • Fundraising Suggestions
    • Instructors
    • Commuter and Daily Rates
    • Accommodations >
      • Costa Rica Accomodations
    • Retreat Testimonials
    • BG retreat 2023-24
    • FAQs >
      • FAQs SAN DIEGO
      • FAQ COSTA RICA
    • Contact
    • Balance & Performance
    • Benefits of the Program
  • Music
    • Studio Policies
    • Workshops >
      • Brazilian Groove Workshop
    • Guitar >
      • MHS Strummer's Club >
        • MHS Lesson 1
        • MHS Lesson 2
        • MHS Lesson 3
        • MHS lesson 4: RH exercise
      • The Brazilian Guitar >
        • Brazilian Guitar member's only
      • Online Guitar Studio Testimonials
      • BossaNovaGuitar >
        • BNG Class 1
        • BNG Class 2
        • BNG class 3
        • BNG class 4
        • BNG class 5
        • BNG class 6
        • BNG class 7
        • BNG class 8
        • BNG class 9
        • BNG Class 10
        • BNG Class 11
        • BNG Class 12
      • Bossa Nova & Beyond >
        • BNB Class 1
        • BNB Class 2
        • BNB Class 3
        • BNB Class 4
        • BNB Class 5
        • BNB Class 6
        • BNB Class 7
        • BNB Class 8
        • BNB Class 9
        • BNB Class 10
        • BNB Class 11
        • BNB Class 12
      • Beginning Guitar 1 >
        • BG 1 Class 1
        • BG 1 Class 2: LH exercise
        • BG 1 Class 3
        • BG 1 Class 4
        • BG 1 Class 5: RH exercise
        • BG 1 Class 6 - alternate tunings
        • BG 1 Class 7
        • BG 1 Class 8
        • Beginning Guitar MiraCosta College
        • Beginning Guitar member's only
      • Beginning Guitar 2 >
        • BG 2 Class 1
        • BG 2 Class 2: Blues
        • BG 2 Class 3: BLues scale
        • BG 2 Class 4: open strings
        • BG 2 Class 5: note reading
        • BG 2 Class 6
        • Class 7: Travis Picking
        • BG 2 Class 7: barre chords
        • BG 2 Class 8
      • Intermediate Guitar >
        • Int 1 Class 1
        • Int 1 class 2: pentatonics
        • Int 1 Class 3: Note reading review
        • Int 1 Class 4
        • Int 1 Class 5
        • Int 1 Class 6: Jazz Chords
      • Intermediate Guitar 2 >
        • Int 2 Class 1
        • Int 2 Class 2
        • Int 2 class 3
      • Classical Guitar
      • Beatles Mini Course >
        • Beatles Class 1
        • Beatles Class 2
        • Beatles Class 3
      • Int/Adv seminar >
        • Int/Adv Class 1
        • Int/Adv Class 2
        • Int/Adv Class 3
        • Int/Adv Class 4
        • Int/Adv Class 5
        • Int/Adv Class 6
        • Iint/Adv seminar class 7 - arpeggios of ii7
      • Multilevel guitar Class 1 >
        • Int 1 Class 3
      • Intermediate Performance class >
        • Class 1 - exerecise routine
        • Class 2: performance repertoire
        • Class 3: Travis Picking
        • Class 4: preparing songs
        • Class 5
        • performance class - lyrics
        • Intermediate Performance class summer 2024 final
      • Advanced Guitar >
        • Arranging for Guitarists >
          • A4G Class 1: inversions of F6 and Dm7
          • A4G class 3: Inversions of Cmaj7 and C6
        • Improvisation on the Guitar >
          • IG Class 1 - arpeggios of ii7
          • IG Class 2: Arpeggios of V7
          • IG Class 3: Arpeggios of IM7 and ii V I
          • IG Class 4: Arpeggios of the vi chord
          • IG Class 5 the dorian scale within the ii7
          • IG Class 6: Dominant scales
          • IG Class 7: the bebop major scale
          • IG Class 8: Position playing
          • Class 9 - the diminished scale
          • Class 10 - chord pairs
      • Private lessons
    • Theory/Arranging >
      • Theory on Frets >
        • Classes 1 and 2 members only
        • Classes 3 -12 members only
      • Arranging4guitar >
        • A4G Class 1 - Improvising over ii7
        • A4G class 2: improvising over V7
        • A4G class 3: improvising over IM7 and ii V I
        • A4G Class 4: the vi and iii chords
        • A4G class 6: inversions of V7
        • A4G class 7: Inversions of Cmaj7 and C6
        • A4G class 8: arranging happy birthday
        • A4G Class 9: the dorian scale within the ii7
        • A4G Class 12: approach tones
        • A4G Class 13: minor
        • A4G Class 10: The Mixolydian scale inside the V7 arpeggio
      • Harmony >
        • Harmony Class 1
        • Harmony Class 2
        • Harmony Class 3
        • Harmony Class 4
        • Harmony Class 5
        • Harmony Class 6
        • Harmony class 7
        • Harmony Class 8
        • Harmony Class 9
      • Arranging Masterclass with Maestro Sion >
        • AM 1 Class 1
        • AM 1 Class 2
        • AM 1 Class 3
        • AM 1 Class 4
        • AM 1 Class 5
        • AM 1 Class 6
        • AM 1 Class 7
        • AM 1 Class 8
        • AM 1 Class 9
        • AM IV Class 1
    • Ukelele >
      • Ukelele Class 1
      • Ukelele Class 2
    • Library >
      • Guitar Library
      • Arrangements Library
      • Transcription Library
    • Ear Training >
      • The Balanced Ear >
        • B Ear Class 1
        • B Ear Class 2
        • B Ear Class 3
        • B Ear Class 4
      • The Global Ear
    • Voice >
      • Brazilian Portuguese4Singers >
        • BP4S Testimonials
    • Music of the African Diaspora >
      • MAD Class 1: African Rhythmic processes >
        • MAD Class 1 Teacher Guide
      • MAD Class 2 >
        • MAD Class 2 - Teacher's Guide
      • MAD Class 3: The Music of Cuba
      • MAD Class 4:
      • MAD Class 5: Puerto Rico
      • MAD Class 6: Caribbean
      • MAD Class 7: Brazil
  • Surfing
    • Instructional videos
    • Surf Lessons in San Diego
  • Yoga & Tai Chi
  • About
    • Calendar
    • Contact
    • Retreat Testimonials
    • BP4S Testimonials
    • Music Studio Testimonials
    • Richard's Blog >
      • Bossa & Beyond Lecture
      • Health and Well Being
      • On Practicing
    • Special Events
    • Richard Miller, Guitar
    • Vanessa and Richard EPK
  • Tribute to Astrud Gilberto
Secure Credit Card Payment
  • Balanced Guitar Immersion
    • Registration >
      • Retreat Registration Form
      • What to do right now
      • Transportation
    • Donate
    • Fundraising Suggestions
    • Instructors
    • Commuter and Daily Rates
    • Accommodations >
      • Costa Rica Accomodations
    • Retreat Testimonials
    • BG retreat 2023-24
    • FAQs >
      • FAQs SAN DIEGO
      • FAQ COSTA RICA
    • Contact
    • Balance & Performance
    • Benefits of the Program
  • Music
    • Studio Policies
    • Workshops >
      • Brazilian Groove Workshop
    • Guitar >
      • MHS Strummer's Club >
        • MHS Lesson 1
        • MHS Lesson 2
        • MHS Lesson 3
        • MHS lesson 4: RH exercise
      • The Brazilian Guitar >
        • Brazilian Guitar member's only
      • Online Guitar Studio Testimonials
      • BossaNovaGuitar >
        • BNG Class 1
        • BNG Class 2
        • BNG class 3
        • BNG class 4
        • BNG class 5
        • BNG class 6
        • BNG class 7
        • BNG class 8
        • BNG class 9
        • BNG Class 10
        • BNG Class 11
        • BNG Class 12
      • Bossa Nova & Beyond >
        • BNB Class 1
        • BNB Class 2
        • BNB Class 3
        • BNB Class 4
        • BNB Class 5
        • BNB Class 6
        • BNB Class 7
        • BNB Class 8
        • BNB Class 9
        • BNB Class 10
        • BNB Class 11
        • BNB Class 12
      • Beginning Guitar 1 >
        • BG 1 Class 1
        • BG 1 Class 2: LH exercise
        • BG 1 Class 3
        • BG 1 Class 4
        • BG 1 Class 5: RH exercise
        • BG 1 Class 6 - alternate tunings
        • BG 1 Class 7
        • BG 1 Class 8
        • Beginning Guitar MiraCosta College
        • Beginning Guitar member's only
      • Beginning Guitar 2 >
        • BG 2 Class 1
        • BG 2 Class 2: Blues
        • BG 2 Class 3: BLues scale
        • BG 2 Class 4: open strings
        • BG 2 Class 5: note reading
        • BG 2 Class 6
        • Class 7: Travis Picking
        • BG 2 Class 7: barre chords
        • BG 2 Class 8
      • Intermediate Guitar >
        • Int 1 Class 1
        • Int 1 class 2: pentatonics
        • Int 1 Class 3: Note reading review
        • Int 1 Class 4
        • Int 1 Class 5
        • Int 1 Class 6: Jazz Chords
      • Intermediate Guitar 2 >
        • Int 2 Class 1
        • Int 2 Class 2
        • Int 2 class 3
      • Classical Guitar
      • Beatles Mini Course >
        • Beatles Class 1
        • Beatles Class 2
        • Beatles Class 3
      • Int/Adv seminar >
        • Int/Adv Class 1
        • Int/Adv Class 2
        • Int/Adv Class 3
        • Int/Adv Class 4
        • Int/Adv Class 5
        • Int/Adv Class 6
        • Iint/Adv seminar class 7 - arpeggios of ii7
      • Multilevel guitar Class 1 >
        • Int 1 Class 3
      • Intermediate Performance class >
        • Class 1 - exerecise routine
        • Class 2: performance repertoire
        • Class 3: Travis Picking
        • Class 4: preparing songs
        • Class 5
        • performance class - lyrics
        • Intermediate Performance class summer 2024 final
      • Advanced Guitar >
        • Arranging for Guitarists >
          • A4G Class 1: inversions of F6 and Dm7
          • A4G class 3: Inversions of Cmaj7 and C6
        • Improvisation on the Guitar >
          • IG Class 1 - arpeggios of ii7
          • IG Class 2: Arpeggios of V7
          • IG Class 3: Arpeggios of IM7 and ii V I
          • IG Class 4: Arpeggios of the vi chord
          • IG Class 5 the dorian scale within the ii7
          • IG Class 6: Dominant scales
          • IG Class 7: the bebop major scale
          • IG Class 8: Position playing
          • Class 9 - the diminished scale
          • Class 10 - chord pairs
      • Private lessons
    • Theory/Arranging >
      • Theory on Frets >
        • Classes 1 and 2 members only
        • Classes 3 -12 members only
      • Arranging4guitar >
        • A4G Class 1 - Improvising over ii7
        • A4G class 2: improvising over V7
        • A4G class 3: improvising over IM7 and ii V I
        • A4G Class 4: the vi and iii chords
        • A4G class 6: inversions of V7
        • A4G class 7: Inversions of Cmaj7 and C6
        • A4G class 8: arranging happy birthday
        • A4G Class 9: the dorian scale within the ii7
        • A4G Class 12: approach tones
        • A4G Class 13: minor
        • A4G Class 10: The Mixolydian scale inside the V7 arpeggio
      • Harmony >
        • Harmony Class 1
        • Harmony Class 2
        • Harmony Class 3
        • Harmony Class 4
        • Harmony Class 5
        • Harmony Class 6
        • Harmony class 7
        • Harmony Class 8
        • Harmony Class 9
      • Arranging Masterclass with Maestro Sion >
        • AM 1 Class 1
        • AM 1 Class 2
        • AM 1 Class 3
        • AM 1 Class 4
        • AM 1 Class 5
        • AM 1 Class 6
        • AM 1 Class 7
        • AM 1 Class 8
        • AM 1 Class 9
        • AM IV Class 1
    • Ukelele >
      • Ukelele Class 1
      • Ukelele Class 2
    • Library >
      • Guitar Library
      • Arrangements Library
      • Transcription Library
    • Ear Training >
      • The Balanced Ear >
        • B Ear Class 1
        • B Ear Class 2
        • B Ear Class 3
        • B Ear Class 4
      • The Global Ear
    • Voice >
      • Brazilian Portuguese4Singers >
        • BP4S Testimonials
    • Music of the African Diaspora >
      • MAD Class 1: African Rhythmic processes >
        • MAD Class 1 Teacher Guide
      • MAD Class 2 >
        • MAD Class 2 - Teacher's Guide
      • MAD Class 3: The Music of Cuba
      • MAD Class 4:
      • MAD Class 5: Puerto Rico
      • MAD Class 6: Caribbean
      • MAD Class 7: Brazil
  • Surfing
    • Instructional videos
    • Surf Lessons in San Diego
  • Yoga & Tai Chi
  • About
    • Calendar
    • Contact
    • Retreat Testimonials
    • BP4S Testimonials
    • Music Studio Testimonials
    • Richard's Blog >
      • Bossa & Beyond Lecture
      • Health and Well Being
      • On Practicing
    • Special Events
    • Richard Miller, Guitar
    • Vanessa and Richard EPK
  • Tribute to Astrud Gilberto